Christchurch Mansion & Park

Ipswich Historic Lettering: Mansion 72016 photograph by Louisa Gaylard
[UPDATE 2.10.2016: Major works on the roof of Christchurch Mansion have resulted in this witty, printed mesh cladding over the front of the house. Even the shadows match in this early afternoon photograph. The tablet bearing the Latin inscription is visible above the central entrance.]

The Mansion
The many visitors to Christchurch Mansion in Ipswich may ponder on the Latin motto which features on a shaped plaque above the central entrance:

'FRUGALITATEM SIC SERVAS UT DISSIPATIONEM NON INQRRAS ... 1549'

(Loosely translates as: 'Always behave with frugality and don't be a spendthrift' - not something necessarily followed by the Withypoll residents. There are other Latin phrases built into the front hall of the Mansion and they are primarily ways of showing off the extremely good education of the Withypoll boys and girls.) See below for more.



The Withypoll family built the house on the site of the Augustinian Priory of the Holy Trinity which had been founded in the twelfth century. (The nearby Round Pond and Wilderness Pond are fed by the natural springs so plentiful in Ipswich to the present day and they supplied the monks with carp, tench, roach and gudgeon.) See below*** for an alternative view of the history of the Mansion.

In 1536, during Henry VIII's reign, the Priory was suppressed and it's estates seized by the Crown. Paul Withypoll, a successful London merchant, bought the site in 1545 and in 1548 his son Edmund began to build a house on the ruins of the Priory, of which he was the first resident. In 1645, the estate passed to Elizabeth, wife of Leicester Devereux, who was the only daughter and heir of Sir William Withypoll.

In 1735, the house was sold to Claude Fonnereau, a wealthy London merchant, of Huguenot decent. Either he or his son Thomas made alterations in the early eighteenth century. A new wing was built on to the north-east corner to contain a drawing room downstairs and a magnificent state bedroom upstairs. The bedroom contains some outstanding rococo plasterwork incorporating the Fonnereau coat of arms.

In 1892 Christchurch Mansion was bought by Felix Thornley Cobbold who presented it to the people of Ipswich. It was opened as a museum in 1896. The adjoining park was opened to the public, free of charge, in 1895, but it had been enjoyed by Ipswich people since at least 1724. Until the end of the nineteenth century sheep could still be seen grazing in the park although the small herd of deer had by that time disappeared. The Fonnereau family frequently hired out sections of the Park for community events and it is still well used for music, arts, fairs and events as testified to by this year's Vintage Vehicle Rally, Ipswich Music Day and the visit by The Moscow State Circus.

Ipswich Historic Lettering: Sorrell fountain2001  Ipswich Historic Lettering: Sorrell fountain 22013 image
Our original photograph from 2001 shows the sculpted stone face better, while the 2013 shot indicates the march of lychen over the surfaces; mind you, it is a 17th century inscription:
'This Water
is the Gift of
MANUEL SORRELL
1665.'
This tablet above a suitably grotesque gargoyle (sadly not connected to the local springs) which is on a side wall of the mansion which adjoins the lower park. Manuel Sorrell was one of the bailiffs appointed commissioners for the assessment of Ipswich in 1660 and 1667, and an obvious relative in 1664, 1667 and 1675. Sorrell's residence was The Oxborrow's Hotel, St Peter's Street in 1665 when Sir Manuel was knighted by Charles II after he had presented the King with a gift of 300 from the town as a token of its loyal allegiance. The waterspout was definitely moved from elsewhere, but from whence?
(Thanks to David Jones, Keeper of Human History at Ipswich Museums for additional information and the Latin construe.)

[UPDATE 31.10.07 This email recieved:
I found your page
   http://www.geocities.com/ipswich_lettering/christchurch.html
while I was researching a photo of Christchurch Mansion that was taken in 1944 or 1945. I have attached this photo. It was taken by Clarence E. Schurwan Jr when he was stationed with the U.S. Army Air Force in Suffolk during World War II.
On 28 June 2006 I visited Ipswich and took a closeup photo of the plaque above the main entrance of Christchurch Mansion (also attached). What you have interpreted as a "Q" actually appears to be an overlapping of the letters "C" and "U." The motto appears to read:
  
FRUGALITATEM SIC SERVAS UT DISSIPATIONEM NON INCURRAS
If this is true, do you think the overlap of the C and the U was done intentionally, or rather because the artist ran out of room?
Thanks for your website.
Regards,
Paul Webber
Colorado Springs, Colorado, USA]

Ipswich: Christchurch Mansion 1944-Ipswich: Christchurch Mansion mottoPhotographs courtesy Paul Webber
Our thanks to Paul for getting in touch and sending the images.  See the update below.

Inside the Mansion: The Great Hall

Mansion 1-Mansion 2
Mansion 3-Mansion 4
Mansion 6-Mansion5a
[UPDATE: 3.2008:
Here are the missing mottos and lettering from inside the Mansion's Great Hall. Below these four are the two examples on the east side of the building which faces away from that generally seen by the public.
The Latin inscriptions on the outside of the Mansion and inside on the North wall are thought to remain from Edmund Withypoll's original Tudor Hall.

Over the front door:
'FRUGALITATUM SIC SERVAS UT DISSPATIONEM NON INCURASS' (You observe frugality in order that you may not run into dissipation).
In the Great Hall:
'RES MIHI NO REBUS SUBMITTERE CONOR' (I try to [make] events submit to me, not to submit to events),
'NULLUM NUMEN ABEST SI SIT PRUDENTIA' (Spirit is not lacking if wisdom is there),
'NON ALIIS SED DEO' (Not unto others, but to God).
Over the East Wing Garden Door:
'QUO MIHI FORTUNAE SI NON CONCEDITUR VITI' (Of what use is wealth if I may not use it) together with Edmund Withypoll's monogram and the date 1550:
'01. A.D. 1550' ('5's similar to 'S's) + Edmund Withipoll's cipher; see *** below.]

Our thanks to the staff of Christchurch Mansion for permission to photograph these examples and for access to the official translations.

Inside the Mansion: Major's House wing
Quotations from the information boards on display in the 'dark wood' rooms inside the Mansion (see also Street name derivations and our Co-op pages for mention of Major's House):-
The Upper Chamber
This room and the one below are not original to Christchurch Mansion. They were added in the 1920s. Originally they were part of a Tudor house at Majors Corner, Ipswich. Both rooms contain many architectural features that have been saved from destruction during the demolition of merchants’ houses in Ipswich during this period. The painted wall plasters come from a number of Ipswich houses.

While the hall was the main public room of a large house, the parlour was intended to be a more private room for family and closer friends. It combined this role with being the master bedroom. In farmhouses it was often on the ground floor but in towns it was often built over the shop.

Even though it was a more private room it was still quite common for a servant to sleep in the same room and bed curtains were often the most valuable part of the household furniture. A standard part of any wedding was for the new couple, fully dressed, to lie in bed and receive the compliments of friends and family. Special food treats could be locked away in the livery cupboard. Chests for holding valuable textiles, plates and precious items were often kept close to the owner in his room at night.

The wall painting with its comparatively sophisticated motifs came from the house of Thomas Eldred, whose overmantel can be seen in the Lower Chamber.” [See our Isaac Lord page for an illustration of Eldred's House.]

The Lower Chamber
This is part of a merchant’s, or wealthy artisan’s, house which stood at Majors Corner in Ipswich until it was demolished and rebuilt here onto the North porch of Christchurch mansion in 1925. The floor and roof are original, but the walls and windows are not.  The plaster, the panelling and the overmantel were removed from demolished houses in Ipswich during the 1920s.

Following the enormous influence of William Morris and the “Arts and Craft Movement” there was a great interest in all things Tudor and Jacobean in the last years of the nineteenth century. Architects carefully restored period houses and designed new ones with “Jacobethan” features. The surviving Tudor and Jacobean houses in Suffolk were ‘ransacked’ by dealers, creating the important local antiques trade. Furniture and fittings were also reproduced to the designs by many local firms like Tibbenhams and Titchmarsh & Goodwin.

This room was the creation of Harry Turner of Ipswich, a local dealer and highly skilled woodcarver. Harry Turner was responsible for the fittings in John Dupois [sic] Cobbold’s new mansion at Holywells. Harry Turner went one step further and arranged for the old part of his own house at Majors Corner to be taken down and moved to Christchurch Mansion. The roof, floors and ceiling beams were set up to form the Lower Tudor Room and the Upstairs Chamber directly above.”
Ipswich Historic Lettering: Eldred panel   Ipswich Historic Lettering: Eldred plaque
Inside the Upper Chamber, a panel of decorative painted plasterwork can be found (almost impossible to photograph in these light conditions). The label reads:
'16TH CENTURY WALL PAINTING FROM THE HOUSE OF ELDRED
THE NAVIGATOR, FORE ST, IPSWICH. PRESENTED BY MR J.D. COBBOLD.'
Click on the plaque to see an image of Thomas Eldred's house and its former site in Fore Street.
The Eldred overmantle
Ipswich Historic Lettering: Eldred overmantel 42016 images Ipswich Historic Lettering: Eldred overmantel 5
The text is from the information book about the exhibits.
Ipswich Historic Lettering: Eldred overmantel 1-3

The Wingfield Room in the Mansion relates to parts of Sir Humphrey Wingfield's mansion on Tacket Street, described on our Courts & yards page.

At the west end of the Mansion is a smaller roundel, very high up: '1564'.
Ipswich Historic Lettering: Christchurch Mansion 1564

The Wolsey Art Gallery/Wolsey Garden
Ipswich Historic Lettering: Wolsey Gallery 1   Ipswich Historic Lettering: Wolsey Gallery 22013 images

The cameo of Thomas Wolsey is rather more brutish than the benificent propaganda portraits executed in his own time and probably a more accurate portrait of a brilliant but flawed man.
'WOLSEY
ART GALLERY'
The sculptor is A.W. Bellis and was an integral part of the gallery extension, built in 1932. The Wolsey Gallery was named after the cardinal (1473-1530) the most powerful figure in Ipswich's history and founder of the College of St Mary suppressed after his death and disgrace in 1530. (Information taken from the Public sculpture in Norfolk & Suffolk website, see Links.)
Above, 2013: in the rather denuded Wolsey Garden behind the Mansion is Bernard Reynold's Triple Mycomorph (Fungus Form) with the Wolsey Art Gallery behind. Below is the sculpture with the poignant dedication plate below, celebrating the late parents of World War II 'Kindertransport' refugee and Ipswich resident, Tom Gondris, who went on to become a leading figure in The Ipswich Society, The Ipswich Building Preservation Trust (see Links for both of these), The River Action Group and other organisations.
Ipswich Historic Lettering: Christchurch sculpture 2  
Ipswich Historic Lettering: Christchurch sculpture 12014 images
'THIS SCULPTURE IS DEDICATED BY
TOM GONDRIS IN MEMORY OF HIS
PARENTS EUGENE AND ELSE WHO
DIED IN WORLD WAR II'
(What is not stated is that both Tom's parent perished at the hands of the Nazis in the Auschwitz-Birkenau concentration camp.)

See also the cast iron Borough crests seen near the Wolsey Art Gallery entrance.
Ipswich Historic Lettering: Christchurch crest small
This area behind the Mansion repays a visit because it also features sculptural/architectural features...
[UPDATE 29.8.2017: 'Hello, I was asked about the Column Bases in the Art Gallery garden at Christchurch Mansion, see attached. The two are from the Lloyds Bank building on the Cornhill when parts were demolished to make way for Lloyds Avenue. Please see all attached images. Hopes that's helpful, Carrie Willis.' Many thanks to Carrie for the photographs and information.]
Ipswich Historic Lettering: Lloyds Bank column 2Photographs courtesy Carrie Willis
Below: the column bases still in situ clearly visible either side of the lower workman. The Lloyds building features on our Cornhill 1 page.
Ipswich Historic Lettering: Lloyds Bank column 1

The paved path up to the rear entrance of the Wolsey Gallery features a lettered panel:
'THE WOLSEY GARDEN
WAS RESTORED BY
THE FRIENDS OF
CHRISTCHURCH PARK
IN 2006.'
Ipswich Historic Lettering: Wolsey Gallery 3   Ipswich Historic Lettering: Wolsey Gallery 42013 images
Just up the path is the Reg Driver Centre bearing the blue plaque dedicated to Felix Thornley Cobbold.

The famous front elevation of the Mansion with its extensive lawn and wall adjoining St Margaret's Church features a bricked-in archway, just visible to the right. 
Ipswich Historic Lettering: Christchurch Mansion front
Meanwhile the main gateway from Soane Street also bears inspection. The pineapples are splendid, the diaper brickwork striking and the Borough coat of arms is on the metalwork gate.
Ipswich Historic Lettering: Chistchurch Mansion gates

*** Christchurch Mansion – are parts older than we think?
In the April 2013 issue of The Ipswich  Society Newsletter Louis Musgrove and Ken Wilson took a close look at the fabric of the building and its possible origins. The Augustinian Priory of Holy Trinity, also known as 'Christchurch' had extensive grounds (over 600 acres) and appropriate wealth. Conventional wisdom  states that, with Henry VII's dissolution of the monasteries, in 1537 the buildings were completely destroyed and that a new house was built on the vacant site by Edmund Withipoll.  However,  the inventory which was compiled at the time describes  the priory as 'an ordinary brick-built building'. The usual and understandable practice of the times would be for a stone-built structure to be either deliberately or casually demolished and the stone carted away and reused. Identifiable parts of suppressed monasteries can often be identified as components of buildings in the surrounding areas. If demolished, a brick-built edifice would probably not have been worth recycling. Perhaps the survival of the brickwork watergate to Thomas Wolsey's ill-fated college which still stands in College Street, where the expensive stone and other materials were taken away for other purposes. This is particularly so in Ipswich where there is no local stone but natural brickearth and brickworks abound.

After dissolution, the land was held under the stewardship of the Wingfield family and so it is most likely that Holy Trinity was stripped of anything of value and the shel left derelict. Only twelve years after this, the dated inscription which we show above:
'FRUGALITATEM SIC SERVAS UT DISSIPATIONEM NON INQRRAS ... 1549' (which can be translated as 'Frugality is the way to avoid dissipating one's wealth') was presumably installed in the wall over the front door. Perhaps this was in the mind of the new owner, Edmund Withipoll as he planned his new residence in Ipswich, not to mention the costs.

To quote the article:-
"Pursuing this idea we see that on the east wall of the east wing there are three chimneys, the middle one of which has a plaque with the date 1550 and a cipher for Edmund [see the image of the roundel above]. The style is exactly what one would expect for the date. However, the other two are different. The bricks are smaller and there are crow-steps, both more suited to the 15th century, which suggests strongly that they are survivals of the original priory.  It follows then that rather than demolish a basically sound structure the frugal Edmund simply remodelled and enlarged what remained.

The front wall provides further evidence of an earlier period as the diaper-work
there [trellis pattern in darker brick] would have been rather old-fashioned in 1550 and in fact is very similar to that of the Bishop's Palace in Ely which was constructed in the 1480s. Edmund was a man of the city and very familar with the latest fashions: if starting from scratch he would surely have optedfor a more modern appearance for that important frontage. As it is, the impression is undoubtedly early-Tudor rather than early-Elizabethan.

... Much repair and many alterations and improvements have been made to Christchurch Mansion throughout its history, right up to modern times, but in the light of what we now know we may surely assume that in addition to the visible signs there must also be, tantalisingly hidden from our view but surely encased within those sturdy walls, some substantial remnants of that earlier structure."

Christchurch/Holy Trinity timeline
to 1895 (compiled for the Friends of  Christchurch Park).

Park tea kiosk
Ipswich Historic Lettering: Tea shelter 1   Ipswich Historic Lettering: Tea shelter 2
2014 images
Part of the park refurbishment restored this attractive kiosk in the upper part, close to the Westerfield Road entrance. The date numerals on the central canopy drop have also been retained: '1898'. Clubs and golf balls could once be hired for the little putting course to the right. This seems to have been replaced by permanent table tennis tables to the rear; suitable bats and balls may be hired from the kiosk, we understand.

Henley Road entrance
Ipswich Historic Lettering: Park lodge 1   Ipswich Historic Lettering: Park lodge 22013 images
This attractive lodge house stands opposite Ipswich School (with its Sherrington blue plaque) and looks as if it is inhabited, which is a Good Thing. A pity that the clock is in need of repair: no hands and cracks in the Roman-numeralled clock face with the manufacturer/supplier:
'FISHER
IPSWICH'
One of the most esoteric and temporary pieces of public lettering in Ipswich is the sloping flower bed beside the Brett Fountain (see below). In 2013 the decorative planting celebrated:
'SUFFOLK FAMILY CARERS
25 YEARS'
Ipswich Historic Lettering: Park lodge 3

The Brett Fountain
Just inside the Henley Road entrance to Christchurch Park there is a decorative drinking fountain close to the Arboretum entrance opposite Ipswich School in Henley Road. This has been refurbished as part of a major investment in the park over 2006-8 and  the section right above ground level reads:
'THE GIFT OF JOHN BRETT 1862'
Ipswich Historic Lettering: Brett Fountain   Ipswich Historic Lettering: Brett fountain 22013 images

Ipswich Lettering: Chistchurch Park 2
Lower photograph courtesy Mike O'Donovan
John Brett was a prosperous shoemaker of Carr Street. In a letter written to the Mayor in 1862 John Brett wrote: 'Feeling a deep interest in all improvements connected with my native town, I have viewed with much satisfaction the estabishment and progress of the public aboretum, and being desirous of assisting in its improvement, I have caused to be prepared by Mr Farrow of Carr Street a "Drinking Fountain" which I desire to have placed therein.'
The Mayor accepted the gift and the fountain was commissioned, it cost 64 to construct. The Brett Drinking Fountain was described as being “in the highly ornamental Italian style”. Mr Thomas Shave Gowing, a friend of John Brett, was inspired by this generosity to write a poem about the drinking fountain, which he recited at the opening ceremony. The Brett Drinking Fountain was unveiled at noon on May Day in 1863, but without the Mayor, Mr George Constatine Edgar Bacon who had declined to attend, or the Deputy Mayor, Mr Edward Grimwade who also refused to attend saying “cold water was a cold subject to make a speech upon”. It has been suggested that the Mayor and his Deputy had political disagreements with John Brett and Thomas Gowing and this is why they did not want to be at the ceremony.

The Brett Drinking Fountain was the first feature to be restored in Christchurch Park under the Heritage Lottery Funded restoration project, with Suffolk Masonry Services carrying out the restoration work. This time the Mayor of Ipswich, Mr Bill Wright, and his wife were present to enjoy the opening ceremony and the poem written by Thomas Gowing was recited by the Community Education and Access Officer. It asks different groups of people to come forward and drink from the four taps of the fountain. Pupils from St Margaret’s Primary School and Ipswich High School took part in the ceremony, coming forward to drink when called upon, together with some of the adults present.

This structure is Listed Grade II (See Links for British Listed Buildings): "Drinking fountain. 1862. Signed by F Arrow. The gift of John Brett. Stone over brick core. Stepped plinth with inscription recording gift on north side. Square-section structure with its base elaborated by one projecting bow to each face. Superstructure stepped back by moulded rebates. Main part has rebated corners fitted with annulated columns with stiff-leaf capitals and each main side has a central arched recess. In recesses are wrought-iron scrollwork and fountain taps, only one of which is in place (replaced C20). Roundels and square mouldings in frieze. Cornice with stylised waterleaf. Surmounted by an obelisk finial in centre with corner finials below, the latter separated by giant anthemions."

The Burton Fountain
Ipswich Historic Lettering: Burton Fountain 1
Photograph courtesy The Ipswich Society
The habit of placing carved commemorations on low steps around drinking fountains could once also be found on that near the children's play area in the park. The above Ipswich Society photograph from the 1970s/1980s (?) shows fragments of lettering on a very degraded base:
'THE GI[FT] … L HENR …'
which must be the fragments of 'The gift of Sir Bunnell Henry Burton'
Ipswich Historic Lettering: Burton Fountain 2a   Ipswich Historic Lettering: Burton Fountain 32013 images
May 1895: The Burton Drinking Fountain was gifted to the town by Sir Bunnell Burton (1858-1943) and placed by the Ancient Avenue. This was the same year that Felix Cobbold gave Christchurch Mansion to the town on the condition that the Ipswich Corporation purchased the rest of the property and that the house be preserved. The fountain has always stood at its present location. This drinking fountain was restored in 2006, ahead of the Heritage Lottery Funded restoration project. Sir Bunnell Henry Burton was director of the Ipswich firm of Burton, Son & Sanders, the confectioners with the mill on the Wet Dock – which made Waggon Wheels and Jammie Dodgers – their offices still stand in College Street. He was organist of St Mary-le-Tower Church, Mayor of Ipswich in 1905, a member at the Ipswich Art Club 1910-1915, and for 38 years Chairman of the Governors at Ipswich School, being knighted in 1934 for political and public services in Ipswich. Burton was a subscriber to the building of Rosehill Library: the earliest purpose-built branch in Suffolk. Descendants of Sir Bunnell still live in Ipswich today. Sir Bunnell Burton died in 1943 and his memorial can be found in the cemetery of St Mary's Church, Wherstead. For a little more information about the Burton family firm see our Burtons page.
Ipswich Historic Lettering: Burton Fountain plaque
Photo courtesy the Ipswich Society
The brass plaque reads: 'Burton Fountain 1896, Restored 2006'. The restoration work commenced in 2006 – ahead of the Heritage Lottery Funded park project – along with the Cabman’s Shelter, the Brett Fountain and the Arts & Crafts Shelter in the Arboretum.

See also our page on the monument just down the hill from here: The Ipswich Martyrs memorial.


The Cabmen's Shelter

This handsome Listed Grade II structure has had a chequered history. The Listing text (See Links for British Listed Buildings) reads: "Formerly a cabmen's shelter which stood in Cornhill and is now used as a public shelter in Christchurch park. Dated 1892. A timber building with a boarded plinth and segmental arched openings, 4 front and rear and 3 on the sides. The arches have carved ornamental spandrels. There is an entrance on the south-west side. Roof tiled, gambrel, with a central louvred cupola with ogee leaded roof and a finial. The eaves cornice is richly ornamented."
Ipswich Lettering: Cabman's shelter 22013 images
The 1892 shelter was originally a place for Victorian cabbies to sit and have a hot meal as they awaited their next fare. Their horses waited outside while the men sat around a warm fire. One of the complaints reported from travellers was that, in inclement weather, the cabbies were reluctant to come out into the elements and take fares to their destinations.
The shelter originally sat on the Cornhill but in 1985, when roads started to be developed for car traffic, it was towed by a steamroller to the park (a well-known period photograph documents the event). We recall it in the 1970s near the Soane Street gates, in sight of Christchurch Mansion.

Each side of the shelter has lettering on the carved cornice; clockwise from the open front:

'RESTORED
2005'
'FB'
'1892'
'FB'
The presence of the 'ICS' initials suggests that a sponsor of the building (or, more likely, the rebuilding) was Ipswich Co-operative Society. 'FB' remains a bit of a mystery. Perhaps the initials of the carver of the decoration?
Ipswich Lettering: Cabman's shelter 1   Ipswich Lettering: Cabman's shelter 3
This was given an award of distinction at the January 2008 Ipswich Society Annual Awards. Ipswich Borough Council was client, designer and contractor. It had spent more than 20 years covered by tarpaulin standing close to the Bolton Lane entrance after being ruined in an arson attack. After more than a year of hard work from craftsmen as part of a 100,000 restoration, it is now inside the Westerfield Road entrance to the park. Part of a 4.4 million programme of repairs, and refurbishments based on a Heritage Lottery Fund award. Its history was remembered on 6 August 2006 as a steamroller and horse-drawn cab accompanied the shelter on its journey via St Margaret's Green, Bolton Lane and Westerfield Road. The shelter was restored by chargehand Peter Shemming and joiner Robin Smy at a base at Hadleigh Road Industrial Estate. It was transported to the park by a low-loader lorry and the roof and tiling added once the superstructure had been bedded in. Quite how much of the original wooden structure is included in the rebuild is debateable.
Ipswich Lettering: Cabman's shelter 4   Ipswich Lettering: Cabman's shelter 5
London still has a number of working Cabmen's shelters. They were provided by the Cabmen's Shelter Fund, a charity set up under the Earl of Shaftesbury and others in 1874 with the object of providing places where cabmen could obtain 'good and wholesome refreshments at moderate prices'. Because cab drivers weren't allowed to leave their vehicles when parked at a stand, it was difficult for them to get a hot meal while at work.  By this provision it hoped to keep the cabbies out of the pubs.  Between 1875 and 1914, 61 shelters were erected at a cost of about 200 each. As they were placed on the public highway the police specified that they should not take up more space than a horse and cab. By 2006 only 13 of the cabmen's shelters remain. They tend to be green, superior garden-shed like buildings often smelling of bacon and surrounded by 'black' cabs.

Mayor's Walk
Further down in the park, along the path from the fountain and you will see a large oak tree on the right. This plaque is situated at the base of the tree. ("I was quite surprised when I saw it as it is a bit of history which very few folk are aware of," says Mike O'Donovan. Although this sort of plaque is common in the Mayors' Walk and elsewhere in the park, it wouldn't normally qualify for this site as we feel they are a bit 'un-permanent' or removable unlike, say, a stone monument. However, we've accpted Mike's submission as it gives us the opportunity to add a bit of historical background about this particular Prince Of Wales (the one before the Prince Of Wales who abdicated in 1936) and some slightly salacious gossip.
Ipswich Lettering: Chistchurch Park 3Photograph courtesy Mike O'Donovan
'THIS OAK WAS PLANTED
BY
G.E.C. BACON... MAYOR
ON THE WEDDING DAY OF
H.R.H. EDWARD
PRINCE OF WALES
TUES 10TH MARCH 1863'
The decorative contours of the cast iron plaque, where the inner background is recessed with lettering and border standing out in relief, contain sans serif capitals of three sizes: the first and last lines (which follow the contours of the plaque) and the fourth line are the smallest; line 2 and 6 are the next in size; 3 and 5 are the largest.

Once widowed, Queen Victoria effectively withdrew from public life. Shortly after Prince Albert's death, she arranged for Edward to embark on an extensive tour of the Middle East. As soon as he returned to Britain, preparations were made for his engagement. Edward (Edward Albert 1841-1910) and  Alexandra of Denmark (Alexandra Carolina Marie Charlotte Louise Julia; 1844-1925) married at St. George's Chapel, Windsor, on 10 March 1863. When Queen Victoria died on 22 January 1901, Edward became King of the United Kingdom and reigned until his death on 6 May 1910. The Edwardian period, which covered Edward's reign and was named after him, coincided with the start of a new century and heralded significant changes in technology and society, including powered flight and the rise of socialism and the Labour movement.

Edward and his wife established Marlborough House as their London residence and Sandringham House in Norfolk as their country retreat. They entertained on a lavish scale. Their marriage met with disapproval in certain circles because most of Queen Victoria's relations were German, and Denmark was at loggerheads with Germany. After the couple's marriage, she expressed anxiety about their socialite lifestyle and attempted to dictate to them on various matters, including the names of their children.

Edward had mistresses throughout his married life. He socialised with actress Lillie Langtry; Lady Randolph Churchill (mother of Winston Churchill); Daisy Greville, Countess of Warwick; actress Sarah Bernhardt; Alice Keppel; and wealthy humanitarian Agnes Keyser. How far these social companionships went is not always clear. Edward always strove to be discreet, but this did not prevent society gossip or press speculation.

In 1869, Sir Charles Mordaunt, a British Member of Parliament, threatened to name Edward as co-respondent in his divorce suit. Ultimately, he did not do so but Edward was called as a witness in the case in early 1870. It was shown that Edward had visited the Mordaunts's house while Sir Charles was away sitting in the House of Commons. Although nothing further was proved and Edward denied he had committed adultery, the suggestion of impropriety was damaging.

Edward's last mistress, society beauty Alice Keppel, was even invited by Alexandra to his bedside at Buckingham Palace at his death in 1910. One of Keppel's great-granddaughters, Camilla Parker Bowles, became the mistress and then wife of Charles, Prince of Wales, one of Edward's great-great grandsons. It was rumoured that Camilla's grandmother, Sonia Keppel (born in May 1900), was the illegitimate daughter of Edward. However, Edward never acknowledged any illegitimate children. His wife, Alexandra, is believed to have been aware of most of his affairs and to have accepted them.

The Dr John Blatchly memorial armillary sphere sundial
Ipswich Lettering: Chistchurch Park sundial old   Ipswich Lettering: Chistchurch Park sundial 12017 images
Above left: the sundial as it originally stood in the park, c.1935. It later fell into disrepair and languished, damaged in the Wolsey Garden. Above right and below: Thursday January 5 saw an impressive gathering in even more impressive sunshine in the Christchurch Park Butterfly Garden to officially unveil the beautifully restored armillary sphere sundial which is dedicated to the memory of Dr John Blatchly MBE. David Miller, Chair of the Friends of Christchurch Park, introduced the event and the main speaker, John Field, paid tribute to John Blatchly’s many contributions to the town and its history. Dr John Davis of the British Sundial Society gave information about the structure and its function. Finally, the Mayor of Ipswich, Roger Fern added his own words of praise and “from one Headmaster to another” cut the red ribbon to officially add this fine feature to the park. There is an excellent information board mounted nearby.
Ipswich Lettering: Chistchurch Park sundial 2   Ipswich Lettering: Chistchurch Park sundial 3
On the stone base:
'RESTORED AND RE-ERECTED
IN 2016 IN MEMORY OF

DR JOHN BLATCHLY MBE'
On the lozenges on the inner surface of the band from which the time can be read, it is interesting that the Roman numerals read (in the above photograph): '... XII, I, II, III, IHI, V, VI, VII...'. Why 'IHI' instead of 'IV'?

War memorials
Ipswich Lettering: Chistchurch Park war memorial 1   Ipswich Lettering: Chistchurch Park war memorial 2
Christchurch Park during the Summer Mela in 2014 (about an hour-and-a-half before the torrential downpours) with the War Memorial in the background.
The sculptors were: Earp, Hobbs and Miller; the architect was Edward Adams. It was erected in 1924.
See our full page on the Christchurch Park Cenotaph features and lettering.

The Public Sculpture of Norfolk & Suffolk website (see Links) describes it thus:
"The Cenotaph of Portland stone echoes that in Whitehall by Sir Edward Lutyens unveiled four years earlier both in design and in its inscription to the Glorious Dead. However the Ipswich Cenotaph is set in front of a low stone wall – resembling an altar wall – with bronze plaques inscribed with the names of the dead and has a bronze memorial sarcophagus with rounded top in front. The sarcophagus which was inspired by Renaissance models with two feet on a plinth is made up of up of weaponry including including bundles of spears, regimental standards, bandoliers of ammunition, maces, machine-guns and a Stokes gun – invented by Sir Wilfred Scott-Stokes (1860-1927) who was the managing director of the engineering firm Ransome & Rapier of Ipswich. The draped Union Jack and flag of St George shows respect for the dead whose victory is suggested by laurel discretely growing around the knapsack and bayonet. At the top is a rifle and British army round helmet accompanied the rest of the soldier’s equipment: gas mask, water bottle and ammunition belt."
Ipswich Lettering: Chistchurch Park war memorial 3   Ipswich Lettering: Chistchurch Park war memorial 42014 images
Not far away on the same occasion, the Boer War memorial, a solitary standing soldier with bowed head, is boxed in by fun fair gubbins. The sculpture by Albert D. Toft was erected in 1906. The Public Sculpture of Norfolk & Suffolk website (see Links) describes it thus:
"The soldier stands on a rocky outcrop, bare-headed, his head bent in mourning and his reversed rifle resting on the tip of his left boot with a water bottle hanging at his side. Set on top of the pyramidal base the figure stands out against the trees of the park even though it was originally intended for the enclosed setting of the Cornhill.    The theme of the grieving soldier leaning on his upturned rifle was introduced in the 1902 memorial at St Chad’s Terrace Shrewsbury by Caffin of Regent Street. Toft gave it a new urgency and naturalism, well described in the account of the unveiling in the East Anglian Daily Times, 1/09/1906: 'Bare-headed he stands with rifle reversed as at the graveside of a comrade. The poise of the head, bent low in reverence, and the facial expression are intensely pathetic...he sculptor chose for his model for this statue one who had served in the South African war, rather than work from an ordinary professional model.'
The realistic treatment of the soldier the detail of his uniform and the portrait-like quality of his mourning expression contrasted with the idealism Toft's 1909 war memorial in Cardiff. The memorial was a telling embodiment of the suffering of the Boer war and Toft repeated the figure - with minor variations - in five World War I memorials at Streatham, Stone, Thornton Clevelys, Leamington Spa and Smethwick, dating from around 1920."
On the main plaque at top:
'SUFFOLK SOLDIERS MEMORIAL
ERECTED BY
SUFFOLK PEOPLE AS A MONUMENT
TO SUFFOLK SOLDIERS WHO LOST THEIR
LIVES IN THE SOUTH AFRICAN WAR
1899-1902'
Followed on each of the four plaques by a list consisting of name, rank and regiment.

The Ipswich War Memorials website
[UPDATE: October 2016 saw the launch of the Ipswich War Memorials website (see Links). A remarkable project emanating from the Sergeant-at-Arms' office of Ipswich Borough Council due to the efforts of by a small group of dedicated people, self-funded, wishing to digitally preserve images and information in recognition of so many Ipswich residents lives. This takes at its starting point the names of lost soldiers listed on the cenotaph in Christchurch Park, then attempts with great success to trace the last address, occupation, family etc. of the deceased. It intersects with the Ipswich Historic Lettering website in its reliance on public lettering and its opening-up of local social history, often from untapped sources of information and images from private family archives. It has grown like Topsy to encompass war memorials all over Ipswich including the Field of Remembrance in Ipswich Old Cemetery. Well worth dipping into, particularly if you have a relative who died in war.]

See also the Monument to the Ipswich Martyrs close to the Reg Driver Centre in the park, the Christchurch Park Cenotaph,

Christchurch/Holy Trinity timeline to 1895 (compiled for the Friends of  Christchurch Park).
More park lettering: Alexandra Park, Bourne Park (and Bourne Bridge) and Chantry Park.



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2004 Copyright throughout the Ipswich Historic Lettering site: Borin Van Loon
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